京の温所-西陣別邸

Floor plans of the first and second floors after renovation. With a total floor area of 200 square meters, this guesthouse can comfortably accommodate eight adults.
改修後の１階と２階の平面図。延べ床面積200平方メートルの建物なので、大人８人がゆっくり泊まれる。
There used to be a two-story reinforced concrete building along the roadside, but it was demolished to preserve the traditional townscape. The space has been turned into a guest parking area, and traditional roof tiles have been added to the gate structure.
道路側にRC造２階建ての建物が建っていたが、町並み保全のために解体して来客用の駐車場とした。門型にも古瓦を載せている。
A discreet sign is embedded in the gate, featuring a logotype designed by Michiaki Mochizuki.
門に埋め込まれた控えめなサイン。ロゴタイプは望月通陽氏による。
In the lounge facing the garden, there are bookshelves stocked with books selected for guests.
庭に面したゲスト用に選ばれた本のあるラウンジ。
The original street-side dirt floor (dōma) of the townhouse has been restored. This space is now used as a dining area.
オリジナルの通り土間を復活させた土間は食堂として使われる。
The two connected rooms called ‘zashiki’ retain as much of their original elegant atmosphere as possible.
二間続きの座敷は品格のある既存の雰囲気を可能な限り残している。
A spacious bathroom featuring a bathtub made of Japanese umbrella pine (Kōyamaki). The window glass can instantly turn frosted at the flip of a switch.
高野槙の浴槽を備えた大きな浴室。ガラスはスイッチで瞬時に曇りガラス状に変えることができる。
Second-floor twin bedroom featuring headboards upholstered with fabric by Minä Perhonen.
２階ツインベッドの寝室。ヘッドボードはミナペルホネンのファブリックで仕上げている。
The beautiful arrangement of exposed beams and horizontal boards in the atrium is likened to an abstract painting, framed to be appreciated like artwork.
吹き抜けの梁と貫板の美しい構成を抽象絵画に見立て、額縁をはめて鑑賞するようにしている。
The exposed beams in the atrium create a composition so dynamic, it takes your breath away.
思わずため息の出る吹き抜けのダイナミックな構成。
From the second-floor reading room, you can look down into the dirt-floor dining area. The kitchen is located on the left.
２階の読書室から土間の食堂を見下ろす。左手にキッチンがある。
Night view of the exterior from the garden side. The master carpenter deserves credit for creating the perfectly horizontal eaves line. On this project as well, I was deeply impressed by the exceptional craftsmanship of the Kyoto artisans, led by the chief carpenter.
庭側からの夜景。軒先を水平に一文字に通してくれたのは棟梁の手柄。 この現場でも大工を筆頭に京都の職人衆の腕の良さに感服。
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