museum as it is.

Exterior view from the garden side. The walls are made of earthen plaster mixed with straw, using soil from the site.
庭側からの外観。外壁は敷地の土に藁スサを混ぜた土壁。
In the serene interior illuminated by natural light from the skylight, items favored by Kazumi Sakata are on display.
天窓からの自然光の差し込む静謐な室内に坂田和實好みのモノたちが展示されている。
The walls and ceiling of the tatami-matted exhibition room are finished with handmade Bhutanese paper.
畳敷きの展示室の壁と天井はブータンの手漉き紙貼り。
An exhibition room with a double-height ceiling. In the back, a garden enclosed in a gentle arc by a bamboo fence comes into view.
２階分の吹き抜けを持つ展示室。奥に竹のフェンスで円弧上に囲われた庭が見える。
The large overhanging eaves, designed to protect the earthen walls, feature delicate and finely crafted details.
土壁を保護するために大きく張り出した軒庇とその繊細な細部。
The iron window grille is a timeless homage to architect Carlo Scarpa, whom Yoshifumi Nakamura deeply admires.
窓の鉄格子は敬愛する建築家カルロ・スカルパへの時空を超えたオマージュ。
Client Kazumi Sakata and architect Yoshifumi Nakamura envisioned this private art museum as a solitary work of architecture, quietly nestled in the mountains of Chiba.
坂田和實と中村好文は、この個人美術館を千葉の山中に静かに佇む孤高の建築にしたいと考えた。
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